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just a list of the contents: (numbers 27 - 59)
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Gouache on paper, 1991, by Juan Leyva, Spain. |
number 22
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Composition with mirror, mixed media assemblage. by Kaziek Wieckowski, Poland. |
Olinga
You embrace the earth again As once you surely must have done With a small round of clay Between your fingers and your thumb - Kneading, shaping it, a constant symbol Of what, called upon to perform, You set yourself to accomplish. You embraced the Earth And I (I tell it now remembering) Have heard your name mentioned By those who met you, those who did not; And though I did not, I am one of the passengers On a certain train That met you at a thousand stations You had come to stop at - Here agian to take that round of clay Shape it to order and pattern Unearthing, as you worked, what lay conceealed Then moved on to the next stop To begin again with potters hands A kernel to open. I try to pierce now beyond this sudden death, Remove my numbness to see as you would have The meaning and its implication: And I remember what the African said: “This is my life and I’ve lived it
“I want no other.”
You embrace the earth again. Martyn Burke, Belgium. *In the memory of Hand of the Cause of God, Mr Enoch Olinga who was murdered in 1979. Reprinted from the U.S. produced, 1984 anthology "My Calamity is My Providence" compiled by Tahirih Khodadoust Foroughi. |
Photographs and Illustrations of work by:
Kazimierz Wieckowski, Poland, Konstantin Rogosin, Russia, Sonja van Kerkhoff, The Netherlands, Juan Leyva, Spain, Rob Hain, U.K., Tooloo Kord, U.S.A., Hugo Konigs, The Netherlands.
Translations, editing, co-ordination, layout, by:Sen McGlinn, The Netherlands, and Sonja van Kerkhoff, The Netherlands. |
Arts Dialogue, Dintel 20, NL 7333 MC, Apeldoorn, The Netherlands
http://bahai-library.org/bafa email: bafaOMIT THE TEXT IN CAPITALS@bahai-library.com |