Search for tag "Arts"
|1901 2 Nov
||Birth of John Robarts, Hand of the Cause of God, in Waterloo, Ontario, Canada.
||Waterloo; Ontario; Canada
||John Robarts; Births and deaths
||Russian poet Isabella Grinevskaya wrote the play "Báb" which was performed in St. Petersburg in 1904 and again in 1914 and once again in 1917. It was translated into French and Tatar
(and later into German by Friedrich Fiedler) and lauded by Leo Tolstoy and other reviewers at the time. It is reported to have been Tolstoy's first knowledge of the Faith.
In 1910-11 she spent two weeks in Ramleh as a guest of `Abdu'l-Bahá and after she returned to Russia she had several letters and Tablets from Him.
- Immediately upon her return from Egypt in January of 1911 she began work on the book "A Journey in the Countries of the Sun", an account of her visit with 'Abdu'l-Bahá. This work was not completed until 1914 because in the summer of 1912 she made a trip to Paris to work with the French translator of "Báb", Madame Halperin, and when she returned to Leningrad she began work on the drama entitled Bahá'u'lláh. It was published in Leningrad in 1912 but was never performed. "Journey", a book of some 550 pages did not get published because of the disruption cause by the advent of the war. See BW6p707-712 for the article "Russia's Cultural Contribution to the Bahá'i Faith" by Martha Root.
- For a photo see BW6p709 or here.
- Also see Notes on the Babi and Bahá'í Religions in Russia and its territories by Graham Hassall.
- Isabella Grinevskaya (the pen name of Beyle (Berta) Friedberg), born in Grodno in 1964, died in Istanbul in 1944. [Revolvy]
|St Petersburg; Ramleh; Egypt; Istanbul; Turkey; Grodno; Russia
||Isabella Grinevskaya; Leo Tolstoy; Publications; Plays; Arts
|1912 21 or 22 Dec
||'Abdu'l-Bahá witnessed His first dramatic performance. It was a mystery Christmas play entitled Eager Heart written by Miss Alice Buckton and performed at the Church House, Westminster before an audience of 1,200. [SoW Vol III no 19 2March1913 p 7, CH154, AB34]
- He is reported to have said, perhaps on another occasion, "The stage will be the pulpit of the future". [Quoted by Loulie Mathews in The Magazine of the Children of the Kingdom, Vol 4, No. 3 (June 1923, p69]
- Star of the West, Vol. 19 no. 11 Feb1929, p.341 quotes 'Abdu'l-Bahá as saying: "drama is of the utmost importance. It has been a great educational power in the past; it will be so again,". [BW1994-1995p255]
|Westminster; London; United Kingdom
||Abdul-Baha, Travels of; Abdul-Baha, Second Western tour; Drama; Arts
|1913 8 Jan
||'Abdu'l-Bahá was given a tour of the Edinburgh College of Arts conducted by the President. (74 Lauriston Place, Edinburgh EH3 9DF) This was followed by a tour of a school in the poorer district, North Canongate School.
In the afternoon He spoke to a capacity attendance at Rainy Hall, New College, the Mound, Edinburgh EH1 2LX.
'Abdu'l-Bahá attended a charity performance of Handel's Messiah at St Giles Cathedral. (Royal Mile, Edinburgh EH1 1RE) St. Giles was also known as the High Kirk of Edinburgh. It was Edinburgh's religious focal point for at least 900 years.
And the glory of the Lord shall be revealed, and all flesh shall see it together:
for the mouth of the Lord hath spoken it. (Isaiah 40:5) [Ahmad Sohrab's Diary, Edinburgh, 1913, ABTM297, SCU85-100]
|Edinburgh; Scotland; United Kingdom
||Abdul-Baha, Travels of; Abdul-Baha, Second Western tour; St Giles Cathedral; Handels Messiah; Edinburgh College of Arts; North Canongate School
|1938 1 May
||At the National Convention in Chicago, Grace Roberts Ober, who had just given a report on a travel teaching trip to Louisville Ky and on her work in Toronto where she had been the previous Fall, collapses into the arms of the Convention chairman, Harlan Ober in view of the assembled delegates while ending her address. She is removed from the convention hall and passes away shortly thereafter. See TG75-76 for the background to this story.
- Born in Thorold, ON of Sarah E. Wilson and the Rev Thomas Tempest Robarts, a cannon in the Anglican Church her life's work was that of a teacher.
- During 'Abdu'l-Baha's tour of America she served as his household manager, going ahead to secure an apartment for him and acting as His housekeeper and hostess.
- On July 17, 1912 she married Harlan Ober at 'Abdu'l-Bahá's suggestion. The legal marriage was conducted by Howard Colby Ives. [BW8p656-660]
|Chicago; United States
||Grace Robarts Ober; In Memoriam
||John and Audrey Robarts with their two younger children, Patrick and Tina, leave Toronto for their pioneer post in Mafeking (later Mafikeng), Buchuanaland (later Botswana and formerly Bophuthatswana). Older children Aldham and Gerald pioneered to Nigeria and a homefront post respectively. [LOF485-6]
- Later the same year he is appointed to the newly established Auxiliary Board by Hand of the Cause of God Músá Banání. They would return to Canada some 13 years later. [LOF486, 491]
|Canada; Botswana; Nigeria; Africa
||John and Audrey Robarts and their son Patrick and young daughter Tina arrive in Mafikeng and are named Knights of Bahá’u’lláh for Bechuanaland (Botswana). [BW13:449]
||John Robarts; Knights of Bahaullah
||The third contingent of Hands of the Cause of God is appointed: Enoch Olinga, William Sears, John Robarts, Hasan Balyuzi, John Ferraby, Collis Featherstone, Rahmatu’lláh Muhájir and Abu’l-Qásim Faizí. [GBF111; MBW127; PP254, 442; SS47]
- See TG160 for the story of how Enoch Olinga reacted to the news of being appointed a Hand of the Cause of God
||Hands of the Cause; Hands of the Cause, Appointments; Hands of the Cause, Contingents; Hands of the Cause, Third Contingent; Enoch Olinga; William Sears; John Robarts; Hasan Balyuzi; John Ferraby; Collis Featherstone; Rahmatullah Muhajir; Abul-Qasim Faizi
|1966 12 Dec
||The Hand of the Cause John Robarts departed Africa from Cape Town after a stay of nearly 13 years. They were recalled from their pioneer post by the Universal House of Justice to help Canada win the goals of the Nine Year Plan. The objective was to raise 154 local assemblies by 1973 but the count had fallen from 68 to only 50, eighteen less than the number won during the Ten Year Plan and 104 short of the objective.LNW158
||Cape Town; South Africa; Canada
||John Robarts; Hands of the Cause
|1967. 24 - 26 Mar
||The Arctic Policy Conference was held in Toronto. Present were 16 attendees, Hand of the Cause John Robarts, representatives of the National Spiritual Assembly, the Auxiliary Board, the National Pioneer Committee and individuals involved in the teaching work in the Arctic. It was decided to establish Bahá'í houses in Frobisher Bay in the District of Franklin, Baker Lake in the District of Keewatin and Yellowknife in the District of Mackenzie. [SDSC278]
- Photo of Bahá'í House in Baker Lake.
|Toronto; Frobisher Bay; Baker Lake; Yellowknife; Canada
||John Robarts; Bahai centres
|1976 24 Apr
||The passing of Mark George Tobey (b. December 11, 1890 Centerville, Wisconsin – d. April 24, 1976 Basel, Switzerland) [Bahá'í News page 341, Wiki, VV119]
- He had been introduced to the Faith by Bernard Leach. [OPOP223]
- Another version is that In 1918 Mark Tobey came in contact with Juliet Thompson and posed for her. During the session Tobey read some Bahá'í literature and accepted an invitation to Green Acre where he converted. [Seitz, William Chapin (1980). Mark Tobey. Ayer Publishing. p. 44]
- Tobey was one of the twentieth century’s most cosmopolitan of artists. An inveterate traveler—he eventually settled in Basel, Switzerland—he was always better known in Europe than in his homeland.
His mature ‘white writing’ works are made up of pulsing webs of lines inspired by oriental calligraphy, explicitly acknowledged the direct influence of the Baha’i Faith on his painting. It has been said that Tobey “made line the symbol of spiritual illumination, human communication and migration, natural form and process, and movement between levels of consciousness.” He often stated, “that there can be no break between nature, art, science, religion, and personal life".
- See Bahá'í World 1994-95 pg248 for an article by Anne Boyles entitled "The Language of the Heart: Arts in the Bahá'í World Community" for mention of Mark Tobey.
- For his obituary see BW17:401–4.
- Towards the end of his life, Tobey was the recipient of some of the highest distinctions that the European art scene of his time could bestow. He won the gold medal at the Venice Biennale in 1958—the first American painter to do so since 1895. In 1961, a major retrospective of his work was held at the Louvre in Paris, an unprecedented achievement for a living and American artist.
- See The Journal of Bahá'í Studies, Volume 26, number 4 – Winter 2016 p94 for an article by Anne Gordon Perry entitled Anne Gould Hauberg and Mark Tobey: Lives Lived for Art, Cultivated by Spirit.
- An exhibition, Mark Tobey: Threading Light showed at the Peggy Guggenheim Collection, Venice, 6 May to 10 September 2017 and at the Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, 4 November 2017–11 March 2018.
|Centerville; Wisconsin; United States; Basel; Switzerland
||In Memoriam; Mark Tobey; Bernard Leach; Anne Gould Hauberg; Arts; Painting
||The Bahá’í Association for Arts (BAFA) is formed with its base in the Netherlands.
||Bahai Association for Arts (BAFA); Bahai associations; Arts
||The Post Office of the United Kingdom issues a commemorative stamp honouring Bernard Leach, Bahá’í and world-renowned potter. [BINS173:8]
||Bernard Leach; Stamps; Artists; Arts
||‘Arts for Nature’, a fund-raising programme held to benefit the work of the World Wide Fund for Nature, is held in London with the collaboration of the Bahá’í International Community. [AWH61; VV106]
||London; United Kingdom
||Bahai International Community; Arts; Nature; World Wide Fund for Nature; Environment
|1988 30 Jun - 3 Jul
||The Bahá’í Arts Council, Canada, holds the first arts festival, ‘Invitation 88: A Festival of the Human Spirit’ at the University of Western Ontario, London, Ontario. [BINS179:2]
||London; Ontario; Canada
||Arts; Firsts, Other
|1988 14 – 17 Jul
||The Bahá’í Association for Arts (BAFA) holds its first arts festival at the Bahá’í conference centre De Poort, Netherlands. [BINS180:4]
||Bahai Association for Arts (BAFA); Conferences, Bahai; Conferences, Arts; First conferences; De Poort
||Three International Music Festivals are held in Africa. [BINS215]
||Festivals, Music; Music; Arts
|1991 18 Jun
||The passing of Hand of the Cause of God, Knight of Bahá'u'lláh, John Aldham Robarts at Rawdon, Quebec. He was born in Waterloo, Ontario 2nd of November, 1901. [VV124]
- Shoghi Effendi had appointed him among the third contingent on the 2nd of October, 1957. [MoCxxiii]
- Bahá’í World, Vol. 20, 1986-1992, “In Memoriam,” pp. 801-9.
- For his obituary see BINS250:10.
- For picture see VV124.
- For the story of how he came to learn of the Faith see SBR137.
||Hands of the Cause; Hands of the Cause, Births and deaths; Births and deaths; Knights of Bahaullah; John Robarts; In Memoriam; Births and deaths
|2000 22 Aug
||The passing of Knight of Bahá'u'lláh Audrey Robarts (née FitzGerald) in her 96th year. She is buried with her husband, Hand of the Cause of God John Robarts, in the Ecumenical Cemetery in Rawdon who predeceased her on the 18th of June, 1991.
||Rawdon; Quebec; Canada
||Audrey Robarts; Knights of Bahaullah; Births and deaths; In Memoriam
|2002 26 Jun – 2 Jul
||In commemoration of the Second Bahá'í World Congress 23-26 November in 1992 in New York, a Festival of the Arts is celebrated in that same city. The project is an independent initiative of Global Music, Inc., a Bahá'í-owned company, and associated individuals. It is not under the sponsorship of any Bahá'í institution. The centerpiece event is held at Carnegie Hall featuring a 550-voice choir under the direction of Mr. Tom Price and known as the Voices of Baha. It is composed of Bahá'ís from some 24 countries. [BWNS162]
||New York; United States
||World Congresses; Arts; Music; Carnegie Hall; Tom Price; Voice of Baha; Choirs; BWNS
from the main catalogue
See all tags, sorted numerically or alphabetically.
- Art and Architecture: A Bahá'í Perspective, by Fariburz Sahba, in Journal of Bahá'í Studies, 7:3 (1997). [about]
- Arte, by Bahá'u'lláh and Abdu’l-Bahá. Spanish translation of English "Compilation on the Arts." [about]
- Artist Biographies from Arts Dialogue (2001). A list of artist profiles which can be found in the Baha'i Association for the Arts newsletter (offsite). Linked articles include poetry, photography, and samples of visual art. [about]
- Artist, Seeker and Seer: A vocabulary and a perspective for the appreciation and creation of art inspired by the Bahá'í Writings, by Bahiyyih Nakhjavani, in Bahá'í Studies, 10 (1982). Imagery and metaphors from the Baha'i Writings guide the appreciation and creation of art. They demonstrate that criticism vs creativity, logic vs. passion, and historicity vs. poetry have already been brought to a state of unity. [about]
- Arts: Compilation from other compilations, by Bahá'u'lláh and Abdu'l-Bahá. [about]
- Arts and Architecture, by Abdu'l-Bahá and Shoghi Effendi. [about]
- Arts and Crafts, by Bahá'u'lláh and Abdu'l-Bahá, in Compilation of Compilations, Volume 1 (1991). [about]
- Arts, Importance of in Promoting the Faith, by Bahá'u'lláh and Abdu'l-Bahá, in Compilation of Compilations, Volume 3 (2000). [about]
- Australian Bahá'í Studies: Vol. 2 (2000). The complete issue of volume 2. Some papers were delivered at the 18th annual ABS conference "The Creative Inspiration: Arts and Culture in the Bahá’í Faith" (Melbourne, September 1999). [about]
- Bahá'í Art: Fact or Fiction?, by Inder Manocha, in Bahá'í Studies Review, 3:1 (1993). A re-examination of the nature of Bahá'í art. Includes response by Sonja van Kerkhoff. [about]
- Baha'i Association for the Arts. Biographies of, essays about, and artwork by contemporary Baha'i artists. [about]
- Beautiful Flight toward the Light, The: Reflections on an Artist's Life, by Robin M. Chandler, in Australian Bahá'í Studies, vol. 2 (2000). Subjective reflections about the nature of creativity from the author's own point of view, training and experiences as a social scientist and as an artist. [about]
- Bernard Leach, Potter: A Biographical Sketch, by Robert Weinberg, in Bahá'í Studies Review, 9 (1999). [about]
- Building Creative Communities: Approaching the arts as social & economic development through professionalizing, training, and networking internationally, by Robin M. Chandler, in Australian Bahá'í Studies, vol. 2 (2000). On the Global Arts Training Institute, a model for building professionalism in the arts which can be implemented in Bahá’í communities and incorporated into teaching plans to develop the next generation of artists. [about]
- Collected Poems of Robert Hayden, by Robert Hayden: Review, by Harryette Mullen, in The Antioch Review, 53 (1997). [about]
- Concepts of Spirituality in The Works of Robert Houle and Otto Rogers with Special Consideration to Images of the Land , by Nooshfar B. Afnan (2000). The attitude of native Canadians toward the land and the prairies, as expressed through the work of two artists, their spiritual iconography, and Baha'i teachings regarding nature. [about]
- Considerations in Setting Sacred Text to Music for the Mashriqu'l-Adhkar, by R. Jackson Armstrong-Ingram, in Arts Dialogue (1996). [about]
- Creating Environments that Enhance Spirituality, by Dawn Staudt, in Solas, 3 (2003). The teachings and laws of the Bahá’í Faith are for spiritual advancement of both the individual and society. Three areas in particular help individual development: the use of personal prayer, the arts and Tranquility Zones, and the role of encouragement. [about]
- Creative Inspiration: Symbolism and Seeing, by Karel Fontaine, in Australian Bahá'í Studies, vol. 2 (2000). Examples of visual art which demonstrate the creative impulse at work, together with the symbolism inherent in the pieces. [about]
- Creativity and Spirituality: Are They Related?, by Negin Sanaei, in Australian Bahá'í Studies, vol. 2 (2000). Short essay on utilizing our talent and appreciating the importance of the imagination. [about]
- Crystallizations: 20 Works by Bahá'í Artists, ed. Ross Woodman: Review, by Shirin Sabri, in Journal of Bahá'í Studies, 9:1 (1999). [about]
- Cultivation of Belief, The: 'The Gardener,' Mohsen Makhmalbaf's Inquiry Into Religion, by Manohla Dargis, in New York Times (2013). A review of The Gardener, a meditative documentary by an outsider which is partly about the Baha'i Faith. [about]
- Dancing in the Haziratu'l-Quds, by Universal House of Justice (1987). Recreational dancing in a temple is not appropriate, but cultural and devotional dancing is acceptable. [about]
- Dichotomies of Charles Dickens still hold true today, The, by Ted Slavin, in St. Catharines Standard (2011). On the state of the present-day world, which swings between the extremes of unprecedented achievements and unimaginable horrors. [about]
- Effect of Revelation on Artistic Expression, The, by Otto Donald Rogers, in Bahá'í Studies, 10 (1982). The themes and processes of visual art are the same as those of constructive evolution: man as an instrument, desire for order and beauty, use of materials, element of light, principle of unity, balance of polarities, and mobility through faith. [about]
- Emergence of a Bahá'í Consciousness in World Literature: The Poetry of Roger White, by Ron Price (2002). A study of White's verse with a short biography and an analysis of the Baha'i Faith. [about]
- Evolution, Diagram Illustrating the True Story of, by Universal House of Justice (1997). Explanation of the chart Cycle of Life prepared by Lua Getsinger. [about]
- Explanation of Spiritual Evolution as Taught from the Bahá'í Teachings, by Lua Getsinger and Edward C. Getsinger (1899). Chart "Cycle of Life" allegedly drawn on Abdu'l-Baha's behalf (1899) to refute reincarnation; accompanying text quoting Lua's pilgrim's notes by Curtis Kelsey (1958); a letter from the Universal House of Justice (1997); and a talk by Lua Getsinger (1911). [about]
- Fiftieth Anniversary of The Master: Performance piece, by Jim Wood (1968). An artistic piece appropriate for play at the commemoration of the ascension of 'Abdu'l-Baha. Produced, performed, and narrated by Jim Wood; also read by Deborah Buttrey. [about]
- For the Betterment of the World: The Worldwide Bahá'í Community's Approach to Social and Economic Development, by Office of Social and Economic Development (2018). Essays, photographs, and overviews of local projects around the world, illustrating how Bahá'í principles are being carried out in practice, prepared by the Office of Social and Economic Development of the Bahá'í International Community. [about]
- Four Levels of Detachment in Doris Lessing's Shikasta, The, by Phyllis Sternberg Perrakis, in Journal of Bahá'í Studies, 14:3-4 (2004). [about]
- Function of Revelation in Artistic Expression, The, by Otto Donald Rogers, in Bahá'í Studies, 1 (1976). Overview of some Baha'i themes and how they are reflected in the making of art: man as an instrument; desire for order and beauty; use of materials; element of light; principle of unity; polarities and relationships; part and whole; energy and power. [about]
- Gillespie, Dizzy, by Barry Kernfeld, in American National Biography Online (2000). [about]
- God's Heroes: A Drama in Five Acts, by Laura Clifford Barney (1910). A play based on events in the lives of the early Babis, with a focus on Tahirih. [about]
- Groovin' High: The Life of Dizzy Gillespie, by Alyn Shipton (2001). Roughly 2-3 page excerpt from book. [about]
- Groovin' High: The Life of Dizzy Gillespie, by Alyn Shipton: Review, by Brad Pokorny, in One Country, 11:2 (1999). [about]
- Hands of the Cause of God: Personal Recollections, by Bill Washington (2014). Recollections of A.Q. Faizi, A.A. Furútan, Clara Dunn, Rúhíyyih Khánum, Ugo Giachery, Leroy Ioas, Enoch Olinga, Rahmátu’lláh Muhajir, Bill Sears, Agnes Alexander, John Robarts, Collis Featherstone, and Jalal Khazeh. [about]
- Humanity of Evil, The: Bahá'í Reflections on the film The Act of Killing, by Bernardo Bortolin Kerr (2014). The theology of evil throughout history and in Baha'i thought; ways in which people de-humanize and become alienated from their own selves; on forgiveness and merciful love in the face of justice and punishment. [about]
- Introduction to Compilation on Writers and Writing, by Robert Weinberg, in Bahá'í Studies Review, 10 (2001). [about]
- Joycean Modernism in a Nineteenth-Century Qur'an Commentary?: A Comparison of The Báb's Qayyūm Al-Asmā' with Joyce's Ulysses, by Todd Lawson, in Erin and Iran: Cultural Encounters between the Irish and the Iranians, ed. H. E. Chehabi and Grace Neville (2015). Comparison of the formal structure of the two works and themes such as time; oppositions and their resolution; relation between form and content; prominence of epiphany; manifestation, advent and apocalypse; and the theme of heroism, reading and identity. [about]
- Letters inscribed upon His sacred scroll: An anthology of poetry by Australian Bahá'ís 1999, in Australian Bahá'í Studies, vol. 2 (2000). A collection of 16 poems. [about]
- Manifestations of God and the Master: Representation of in Portraits, Photographs, and Dramatic Presentations, by Shoghi Effendi and Universal House of Justice. Excerpts on the use of imagery of the Central Figures in art, stage, and print. [about]
- Maps and charts in Baha'i World volumes (2010). List of all inserts and maps included in volumes of the Bahá'í World books. [about]
- Music, by Bahá'u'lláh and Abdu'l-Bahá, in Compilation of Compilations, Volume 2 (1991). [about]
- Music Lyrics, Singing, and Dancing at Feast, by Universal House of Justice (1994). Baha'is may incorporate music, singing, and dancing into the spiritual portions of the community devotional meetings. [about]
- Music Reviews: Five New Recordings of Bahá'í Music, by Simon Mawhinney, in Bahá'í Studies Review, 8 (1998). Reviews of Songs of the Ancient Beauty, Lift up Your Hearts and Sing, The Prince of Peace, Here at Black Mesa, and From the Sweet-Scented Streams of Eternity. [about]
- Music Reviews, by Simon Mawhin ney, in Bahá'í Studies Review, 9 (1999). Reviews of recordings by Baha'i artists Geoff and Michaela Smith; Chris Ruhe; Kamran, Khodjasteh, and Averill; Ben Koen and the Unity Ensemble; and Merz. [about]
- Music, Devotions, and Mashriqu'l-Adhkar, by R. Jackson Armstrong-Ingram, in Studies in Babi and Bahá'í History, volume 4 (1987). An in-depth examination of the development of music and hymns within American Baha'i devotional life, some history of the Chicago community, and the architecture and construction of the Wilmette temple. Includes sheet music and design plans. [about]
- Music, Devotions, and Mashriqu'l-Adhkár, by R. Jackson Armstrong-Ingram: Review, by Robert H. Stockman, in Journal of Bahá'í Studies, 1:2 (1988). [about]
- Nudity in Art, by Universal House of Justice (2008). There is no objection to artists depicting the human body from nude models, nor to Bahà’is acting as models; the main consideration is the intention of the artist. [about]
- Numinous Land, The: Examples of sacred geometry and geopiety in formalist and landscape paintings of the prairies, by Kim Ennis (2012). Includes many references to the Baha'i Faith and its influence on contemporary artists. Link to thesis (offsite). [about]
- Objectives and Tasks of Ten-Year Spiritual Global Crusade of the Bahá'í World Faith, by Shoghi Effendi, in Bahá'í World, Vol. 12 (April 1950-1954) (1956). [about]
- Papel de la educación, los medios de información y las artes en el desarrollo social, El, by Bahá'í International Community. El papel de la educación, los medios de información [about]
- Passionate Artist, The, by Ron Price, in Australian Bahá'í Studies, vol. 2 (2000). Essay on the inner life and private character, and the origins of the author's own creative inspiration. [about]
- Perfection and Refinement: Towards an Aesthetics of the Bab, by Moojan Momen, in Lights of Irfan, 12 (2011). The writings of the Bab have implications for the "plastic" arts; significance for native traditions; relevance to the performing arts; and the concept of refinement which comes across in both the person and the writings of the Báb. [about]
- Picture Gallery of Early British Bahá'ís (1998). Published in honor of the UK Baha'i Centenary, 1998/99. [about]
- Pioneering, Language, Arts, Example of 'Abdu'l-Bahá, by Universal House of Justice (1998). Pioneering; Serving parents; Serving where need is; Gardens; International Auxiliary Language; Arabic pronunciation; study of Persian; Some references in Writings of Baha'u'llah; Folk art; External affairs; Daily living; Abdu'l-Baha as divine exemplar. [about]
- Poetry and Transformation, by Peter E. Murphy, in Journal of Bahá'í Studies, 24:3-4 (2014). A personal story of how the evolving attraction to and love of poetry transformed the author's life. Poetry, faith, and the revealed Word can have a dramatic effect on one's struggle for personal transformation in the midst of crisis and turmoil. [about]
- Poetry in 'Abdu'l-Bahá's Writings and Utterances, by Julio Savi and Faezeh Mardani, in Lights of Irfan, 18 (2017). Abdu’l-Bahá mentions at least seven aspects of poetry: inspiration, beauty, eloquence, versified language, novelty, expressivity, depth, and loftiness. He also sets forth clear concepts on the purposes of poetry, which benefit any aspiring poet. [about]
- Poets, Guidance to, by Universal House of Justice (1988). Guidance on the responsibilities of poets; includes an overview of Tablets addressed to poets. [about]
- Postsecular Look at the Reading Motif in Bahiyyih Nakhjavani's The Woman Who Read Too Much, A, by Mary A. Sobhani, in Journal of Bahá'í Studies, 25:1-2 (2015). Nakhjavani’s historical novel includes metaphors that underscore a link between the secular and the sacred through the material and metaphysical act of reading; cf. McClure’s Partial Faiths: Postsecular Fiction in the Age of Pynchon and Morrison. [about]
- Racial Identity and the Patterns of Consolation in the Poetry of Robert Hayden, by John S. Hatcher, in Journal of Bahá'í Studies, 3:2 (1990). [about]
- Reflections on the Art of My Poetry: An Interview of Roger White (1929-1993), in Journal of Bahá'í Studies, 26:1-2 (2016). A glimpse into the mind of a gifted poet and the struggles that he, like many Baha'i artists, encountered in responding to Bahá'u'lláh's exhortation that art best serves humanity when it elevates and edifies the soul and its spiritual receptivity. [about]
- Reincarnation, The Return, and the "Cycle of Life" Chart, by Edward C. Getsinger (1916). The concepts Reincarnation and Return in the context of pilgrims' recollections of the words of 'Abdul-Baha, with tablets translated by Ali Kuli Khan, and on Lua Getsinger's "Spiritual Evolution" chart. [about]
- Remember Bill Sears: musical meditations, by William Sears. Four musical pieces accompanying selections from the speeches of Sears. [about]
- Reunion with the Beloved: Poetry and Martyrdom (2004). Poetry by or in honor of early Babi and Baha'i martyrs. Includes foreword by Hushmand Fatheazam, and discussion of the concept of martyrdom, cultural issues, and history of persecutions. [about]
- Robert Hayden, by Christopher Buck, in Oxford Encyclopedia of American Literature, Vol. 2, ed. Jay Parini (2004). The first African American poet-laureate of the United States (as Library of Congress "Consultant in Poetry"). [about]
- Robert Hayden's Epic of Community, by Benjamin Friedlander, in Melus (1998). [about]
- Robert Hayden's “American Journal”: A Multidimensional Analysis, by Christopher Buck, in Online Journal of Bahá'í Studies, 2 (2008). [about]
- Rogers, Otto Donald, by Norman Zepp, in The 1998 Canadian Encyclopedia (1997). [about]
- Saddlebag, The: A Fable for Doubters and Seekers, by Bahiyyih Nakhjavani: Review, by Carolyn See, in Washington Post (2000). [about]
- Sailor's Problem, The, by Ben Roskams (1995). A short play about unity featuring Sherlock Holmes. [about]
- Salaam Cinema: On Mohsen Makhmalbaf, by Adina Hoffman, in The Nation (2013). An Iranian director's ongoing meditations on the nature of illusion and reality, truth and consequences. Includes a review of The Gardener, a documentary about the Baha'i Faith. [about]
- Shedding Light in the Hearts: Reflections on Poetry, by Julio Savi, in Journal of Bahá'í Studies, 11:1-2 (2001). Limitations and merits of poetry as an emotional stimulus, as truth, and as a privileged form of linguistic expression, and its purpose as a spiritual conception of the nature of reality. [about]
- Spiritual Role of Art, The, by Ludwig Tuman, in Journal of Bahá'í Studies, 4:4 (1991). [about]
- Stories of Muriel Ives Newhall Barrow: Grace Robarts Ober, by Muriel Ives Barrow Newhall (1998). [about]
- The Purpose of Poetry, by Shirin Sabri: Review, by Jack McLean, in Journal of Bahá'í Studies, 2:1 (1989). [about]
- Wildfire: Reflections on Music, Drama, and Dance, by Istvan Dely (2006). [about]
- Writers and Writing, by Bahá'u'lláh and Abdu'l-Bahá, in Compilation of Compilations, Volume 2 (1991). [about]