Search for tag "Drama"
|1912 21 or 22 Dec
||'Abdu'l-Bahá witnessed His first dramatic performance. It was a mystery Christmas play entitled Eager Heart written by Miss Alice Buckton and performed at the Church House, Westminster before an audience of 1,200. [SoW Vol III no 19 2March1913 p 7, CH154, AB34]
- He is reported to have said, perhaps on another occasion, "The stage will be the pulpit of the future". [Quoted by Loulie Mathews in The Magazine of the Children of the Kingdom, Vol 4, No. 3 (June 1923, p69]
- Star of the West, Vol. 19 no. 11 Feb1929, p.341 quotes 'Abdu'l-Bahá as saying: "drama is of the utmost importance. It has been a great educational power in the past; it will be so again,". [BW1994-1995p255]
|Westminster; London; United Kingdom
||Abdul-Baha, Travels of; Abdul-Baha, Second Western tour; Drama; Arts
|1912 c. Dec
||On another occasion He gave an outline for a play to his hostess for the evening, Mrs Gabrielle Enthoven, which He called Drama of the Kingdom. It was put to print by Lady Blomfield's daughter, Mary Basil Hall, approved by the Reviewing Committees for the National Assemblies of both the British Isles and the United States and Canada. It was published in 1933. In 1994 a production based on this outline was premiered in Perth, Australia entitled The Face of Glory: A Musical Rendezvous with the Soul. [CH155-156,
Bahá'ís and the Arts: Language of the Heart by Ann Boyles, also published in 1994-95 edition of The Bahá'í World, pp. 243-272]
||London; United Kingdom
||Abdul-Baha, Travels of; Abdul-Baha, Second Western tour; Abdul-Baha, Writings and talks of; Abdul-Baha, Life of; Drama; Mary Basil Hall; Lady Blomfield; Publications
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- Coming Out, by Ian Kluge (2001). Short, humorous play depicting the confusions that can result from trying to be too delicate in announcing one's commitment to the Baha'i Faith. [about]
- Drama of the Kingdom, by Abdu'l-Bahá and Mary Basil Hall (1913). A play written in 1912 by ‘Abdu’l-Bahá while he was in London and adopted with permission by Mary Basil Hall (named Parvine by ‘Abdu’l-Bahá). [about]
- Dress for Mona, A: Abridged one-act version, by Mark Perry (2002). The story of Mona Mahmudnizhad. [about]
- Fiftieth Anniversary of The Master: Performance piece, by Jim Wood (1968). An artistic piece appropriate for play at the commemoration of the ascension of 'Abdu'l-Baha. Produced, performed, and narrated by Jim Wood; also read by Deborah Buttrey. [about]
- God's Heroes: A Drama in Five Acts, by Laura Clifford Barney (1910). A play based on events in the lives of the early Babis, with a focus on Tahirih. [about]
- Layli, Majnun, and the Infernal Tree, by Mark Perry (2001). Short play dealing with the story of Layli and Majnun and partly inspired by the Seven Valleys. [about]
- Manifestations of God and the Master: Representation of in Portraits, Photographs, and Dramatic Presentations, by Shoghi Effendi and Universal House of Justice. Excerpts on the use of imagery of the Central Figures in art, stage, and print. [about]
- Read-Aloud Plays, by Horace Holley (1916). Nine short plays. Contains no mention of the Baha'i Faith. [about]
- Sailor's Problem, The, by Ben Roskams (1995). A short play about unity featuring Sherlock Holmes. [about]
- Spiritual Assembly's Growing Pains, A, by Ruhiyyih (Mary Maxwell) Khanum (1976). A play, in 28 pages, showing "some of the workings of a Baha'i Spiritual Assembly· some of the blunders, some of the problems; how certain types of people fit better into one office and others into another." [about]
- Two Shall Appear, by Olivia Kelsey, Revised Second Edition (1943). A play which attempts to depict in a brief form the background and some of the heroic events of Baha'i history. [about]
- Vojdani: Ou, La quête: drame en huit tableaux, by Pierre Spierckel (2007). Drame relatant la recherche spirituelle de Vojdani telle que contée dans "Fire on the Mountain Top", joué par de jeunes gens bahá'ís et chercheurs. [about]
- Wildfire: Reflections on Music, Drama, and Dance, by Istvan Dely (2006). [about]
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