Search for tag "Poetry"
|1852 between Aug - Nov
||The revelation of Rashh-i-Ama (The Clouds of the Realms Above) while in the Síyáh-Chál in Tehran. This tablet is considered to be among the first revealed by Bahá'u'lláh after being apprised that He was to be the Manifestation of God.
See P&M295-196(1969), 298-299(1987) where states, "...the First Call gone forth from His lips than the whole creation was revolutionized, and all that are in the heavens and all that are on earth were stirred to the depths". What was "the First Call"?. See GPB121, “These initial and impassioned outpourings of a Soul struggling to unburden itself, in the solitude of a self-imposed exile (many of them, alas lost to posterity) are, with the Tablet of Kullu’t-Tá’am and the poem entitled Rashh-i-‘Amá, revealed in Ṭihrán, the first fruits of His Divine Pen.”
See also RoB1p45-52 for information on "The First Emanations of the Supreme Pen". Taherzadeh explains that this tablet has great significance in Islamic prophecy where it is said that when the Promised One appears He will utter one word that will cause the people to flee HIm. Islamic prophecy also holds that the well-known saying, "I am He" will be fulfilled. In this tablet and many that were to follow, Bahá'u'lláh proclaims that "I am God".
Taherzadeh also states Bahá'u'lláh disclosed for the first time one of the unique features of His Revelation, namely, the advent of the "Day of God".
"In a language supremely beautiful and soul-stirring, He attributes these energies to Himself. His choice of words, and the beauty, power, depth and mystery of this poem...are such that they may well prove impossible to translate." [RoB1p45]
See Tablet of the Mist of the Unknown by Bahá'u'lláh translated by Ramin Neshati, 2000
See Sprinkling of the Cloud of Unknowing by Bahá'u'lláh translated by Stephen Lambden published in Bahá'í Studies Bulletin, 3:2 1984-09/1995
See Clouds and the Hiding God: Observations on some Terms in the Early Writing of Bahá'u'lláh by Moshe Sharon published in Lights of Irfan, Vol 13, 2012,p363-379 for an exploration of the mystical terms found in the Tablet.
See Sprinkling from a Cloud (Rashh-i-Amá): Wilmette Institute faculty notes by Ismael Velasco and Julio Savi, 1999 where each author provides a synopsis of the Tablet.
See Sprinkling from a Cloud (Rashh-i-Amá): Tablet study outline by Jonah Winters, 1999
See List of Baha'i Studies and Translations by Stephen Lambden for a chronological list of the known Tablets of Bahá'u'lláh (and the Báb).
||Rashh-i-Ama (Sprinkling from the Cloud of Unknowing); Bahaullah, Writings of; Bahaullah, Poetry of; Poetry; Call of the Divine Beloved (book); Siyah Chal (Black Pit)
|1854 10 Apr - 1856 19 Mar
||Bahá'u'lláh in Sulaymaniyyih
Bahá'u'lláh suddenly left Baghdád and went to Kurdistán. [BKG115; DB585; GPB120]
Before He left, Bahá'u'lláh asked His family to look after Mírzá Yahyá during His absence. [CB70–1; CH50–1]
Bahá'u'lláh lived for some time as a dervish in a cave on the mountain of Sar-Galú. He took the name Darvísh Muhammad-i-Írání to conceal His true identity. [BBD214–15; BBRSM:60–1; BKG116–19; GPB120–1; TN38–9]
This action compares to Moses' going out to the desert of Sinai, to Buddha's retreat to the wilds of India, to Christ's walk in the wilderness and to Muhammad's withdrawal to the hills of Arabia. [BKG114]
Áqá Abu'l-Qásim-i-Hamadání was His only companion. Áqá Abu'l-Qásim was killed on a journey to collect money and provisions. [BKG116–17]
"It was this period of voluntary seclusion, following shortly after the execution of the Báb in 1850, which bequeathed to history irrevocable proof that Bahá'u'lláh and not His half-brother, Subhi-Ezel, was in reality the one celebrated by the Báb and for whom the Bábí Movement was the spiritual preparation. By this act of voluntary retirement, Bahá'u'lláh gave Sebhi-Ezel unhampered opportunity to exercise the spiritual leadership over the Bábís which the latter claimed as his right. The result, however, demonstrated Subhi-Ezel's utter incapacity to maintain unity among the Bábís, inspire them with faith and confidence sufficient to meet their many difficulties and guide them along lines of true future progress. Non other than the return of Bahá'u'lláh could re-quicken the flames of their ardour or supply them with the more universal principles of conduct and faith required to transform the Bábí Movement into a world religion." [BW2Surveyp33]
It was during this time that Bahá'u'lláh revealed the poem Qasídiyi-i-‘Izz-i-Varqá'íyyih (Ode of the Dove). It was composed of 2,000 couplets but Bahá'u'lláh allowed only 127 to be preserved. [BBD215; BKG118; GPB123]
See BKG114, GPB117–19 and K1250 for reasons for Bahá'u'lláh's retirement.
Before and during His absence no fewer than 25 people claimed to be the One promised by the Báb. [BBRSM29, 59; EB269; GPB125]
See BKG115–19 and GPB120 for Bahá'u'lláh's activities while in Kurdistán.
See KI248–51 for Bahá'u'lláh's own account of the episode.
See BKG119–22 and GPB124–6 for the condition of the Bábí community in Baghdád during this period.
The son born to Navváb shortly after the family's arrival in Baghdád became ill and died during Bahá'u'lláh's absence. [CB71; CH51–2]
See SBBR2:1–28 for Bahá'u'lláh's contact with Súfís.
BW16:528 for an account of Daoud Toeg, who visited the caves of Sar-Galú and photographed them.
|Kurdistan; Baghdad; Iraq
||Bahaullah, Writings of; Bahaullah, Life of; Dervishes; Sulaymaniyyih; Sar-Galu; Aqa Abul-Qasim-i-Hamadani; Poetry; Qasidiyyih-Varqaiyyih (Ode of the Dove); Navvab (Asiyih Khanum); Mirza Yahya (Subh-i-Azal); Sufism; Daoud Toeg; Caves; Interfaith dialogue; Bahaullah, Basic timeline; - Basic timeline, Expanded
|1980 25 Feb
||Robert Hayden, much-honoured American poet, passed away in Ann Arbor, Michigan. [BW18:717]
- For his obituary see BW18:715–17.
- See also Hatcher, From The Auroral Darkness: The Life and Poetry of Robert Hayden.
- See Bahá'í World 1994-95 pg249 for an article by Anne Boyles entitled "The Language of the Heart: Arts in the Bahá'í World Community" for mention of Robert Hayden.
- See The Oxford Encyclopedia of American Literature entry about Robert Hayden .
|Ann Arbor; Michigan
||Robert Hayden; Poetry; In Memoriam; Births and deaths
|2017 19 Sep
||Mahvash Sabet, one of the seven members of the former leadership group of the Baha'is in Iran known as the Yaran, was relesed after 10 years of confinement in Iran's notorious Evin and Raja'i Shahr prisons. She had been arrested in March 2008 and was now 64 years old. Mrs. Sabet distinguished herself by the loving care and kindness she extended to her fellow prisoners. As has occurred with prisoners of conscience, writers, thought-leaders, and poets who have been wrongly imprisoned throughout history, the power of Mrs. Sabet's ideas and beliefs was only amplified by her persecution. The plight of its author attracted attention to this deeply moving collection of poetry, inspiring PEN International to feature Mrs. Sabet in a campaign to defend persecuted writers. Her poems also inspired a musical composition by award-winning composer Lasse Thoresen, performed at an international music festival in Oslo earlier this year. [BWNS1198]
See Prison Poems.
See CNN article Writing to survive: Baha'i woman's poetry was her best friend in Iranian jail.
||Yaran; Persecution, Iran; Persecution, Court cases; Persecution, Other; Persecution; Court cases; Human rights; Evin prison; Rajai Shahr prison; Prisons; Poetry; Music; Lasse Thoresen; BWNS
from the main catalogue
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- Ancient Poems as Means of Revelation, in an Early Tablet by Bahá'u'lláh, by Julio Savi and Faezeh Mardani, in Lights of Irfan, 19 (2018). On the importance of poetry in the history of the Faith and in its Writings, and absolute detachment as a prerequisite for attainment unto the Divine Presence. Includes translation of "A Tablet by Bahá’u’lláh." [about]
- Artist, Seeker and Seer: A vocabulary and a perspective for the appreciation and creation of art inspired by the Bahá'í Writings, by Bahiyyih Nakhjavani, in Bahá'í Studies, 10 (1982). Imagery and metaphors from the Baha'i Writings guide the appreciation and creation of art. They demonstrate that criticism vs creativity, logic vs. passion, and historicity vs. poetry have already been brought to a state of unity. [about]
- "At Dawn the Friend came to my bed': An Early Fruit of the Supreme Pen, by Julio Savi, in Lights of Irfan, 16 (2015). A quasidih, a dialogue between the Beloved and the Poet as a lover. One of eight Persian poems Bahá'u'lláh signed "Dervish" and revealed in Kurdistan, circa 1854-1856. [about]
- Baha'u'llah's Notes to His "Ode of the Dove", by Bahá'u'lláh. [about]
- Bahá'u'lláh's Persian Poems Written before 1863, by Julio Savi, in Lights of Irfan, 13 (2012). Overview of the mystical early writings of Baha'u'llah, 1852-1863. Includes extensive bibliography, and a brief summary of each of the major works from this period. [about]
- Baha'u'llah's Seclusion in Kurdistan, by Bijan Ma'sumian, in Deepen, 1:1 (1993). Reconstruction of parts of this mostly undocumented period in Bahá'u'lláh's life. [about]
- Chicago the Pagan, by Weimar Port (1953). 2-page description of the Baha'i Temple in Wilmette, with a poem about it by Charles Collins published in the Chicago Tribune. [about]
- Coherent Chaos and Chaotic Cosmos: The Qur'ān and the Symmetry of Truth, by Todd Lawson, in Weltkonstruktionen: Religiöse Weltdeutung zwischen Chaos und Kosmos vom Alten Orient bis zum Islam (2010). While at first glance the Qur'an appears to be chaotic in form and structure, on closer examination it reveals an interconnected logic of content, performance, imagery, grammar, and poetics. Article does not mention the Baha'i Faith. [about]
- Collected Poems of Robert Hayden, by Robert Hayden: Review, by Harryette Mullen, in The Antioch Review, 53 (1997). [about]
- Crucible, The: Poems, by Jack McLean (1995). 53 poems, some written after the passing of the author's father, Allan James McLean (d. 1995). [about]
- Dawn over Mount Hira and Other Essays, by Marzieh Gail (1976). A collection of essays on various topics of interest to Baha'i studies and history. Most of these were first published in Star of the West and World Order between 1929 and 1971. [about]
- Days of Remembrance: Selections from the Writings of Bahá'u'lláh for Bahá'í Holy Days, by Bahá'u'lláh (2017). Forty-five selections revealed for, or relating to, nine Bahá’í Holy Days. [about]
- Declaration of the Bab (Poetic), by David Merrick (2008). A poetic meditation on Mulla Husayn's transformation at the Declaration of the Bab. [about]
- Deft Adjustment, The: English-language poetry in present-day Israel, by Roger White, in dialogue magazine, 2:2-3 (1988). Discussion of Israeli and Jewish poems, and reviews of the books Voices within the Ark, Modern Hebrew Poetry, Penguin Book of Hebrew Verse, Seven Gates: Poetry from Jerusalem, and Voices Israel. [about]
- Divinations and Creation, by Horace Holley (1916). A collection of poetry. Does not mention the Baha'i Faith. [about]
- Emergence of a Bahá'í Consciousness in World Literature: The Poetry of Roger White, by Ron Price (2002). A study of White's verse with a short biography and an analysis of the Baha'i Faith. [about]
- Eyes of the Children, The, by Sheila Banani, in dialogue magazine, 1:2 (1986). One poem inspired by female infanticide in China. [about]
- Eyewitness Account of Bahá'u'lláh's Ascension, An, by Andalib (2005). An eyewitness account of Bahá’u’lláh’s passing. [about]
- Fire Tablet, by Bahá'u'lláh (1937). Tablet of "The Hearts of the Sincere are Consumed in the Fire" (Lawh-i-Qad-Ihtaraqa`l-Mukhlisún). [about]
- Gathering Traces: Selected Poems 1975-2002, by Jack McLean (2002). 95 poems written during phases of life including marriage and child-rearing in Quebec, a teaching career, separation and divorce, a stay on an island in British Columbia, and early retirement. [about]
- Gorecki: The last poem ending the saga of the "Symphony of Sorrow", by Chris Jones Kavelin (2005). A poem inspired by the music of Henryk Górecki. [about]
- Hidden Words, by Bahá'u'lláh (1985). Bahá'u'lláh's review of the most important themes of prior scriptures and religions, written in 1858 in the style of Persian mystical poetry. [about]
- Hymn to Love (Sáqí, bi-dih ábí), A, by Julio Savi, in Lights of Irfan, 16 (2015). A ghazal, a mystical song of love about The Beloved, meaning God or a Manifestation. One of eight Persian poems Bahá'u'lláh signed "Dervish" and revealed in Kurdistan, circa 1854-1856. [about]
- "I am all the Prophets": The Poetics of Pluralism in Bahá'í Texts, by Juan Cole, in Poetics Today, 14:3 (1993). Literary analysis of a passage from Tablet of Blood (Súriy-i-Damm) in which Bahá'u'lláh identifies Himself with all the past Prophets and their sufferings, depicting himself mortally wounded on the field of battle, like Imám Husayn. [about]
- Indexes to Bahá'í World volumes: Obituaries, chronologies, contents, illustrations, in Bahá'í World (2013). Seven separate indexes for Bahá'í World, in PDF, Word, and Excel versions. [about]
- Journey of Broken Hearts, by Chris Jones Kavelin (2005). 3 poems on meeting or loving the Beloved. [about]
- La prière, by Romuald Moyo (2004). A short poem. [about]
- Letters inscribed upon His sacred scroll: An anthology of poetry by Australian Bahá'ís 1999, in Australian Bahá'í Studies, vol. 2 (2000). A collection of 16 poems. [about]
- Life and Poetry of Robert Hayden, The: A Baha'i Perspective, by Ann Boyles (2004). [about]
- Literature of Persia, The: A Lecture delivered to the Persia Society, by E. G. Browne (1912). A selection of Persian poetry, featuring poems by Nabil, Tahirih, and Babi martyrs. [about]
- Long, Withdrawing Roar, The: The Crisis of Faith and Nineteenth-Century English Poetry, by Edwin McCloughan, in Solas, 2 (2002). A Baha'i response to the argument that the crisis of faith in the late 19th century was conditioned by historical circumstances and has therefore little relevance for a contemporary reader. [about]
- Mathnaví by Rúhu'lláh Varqá, the Martyr, The: A Few Notes on Its Historical Context and Poetical Content, by Julio Savi and Faezeh Mardani, in Lights of Irfan, 19 (2018). On the motifs of the cup-bearer and the cup, springtime, and love. Includes translation of "The Mathnaví of Rúhu'lláh, the Martyr." [about]
- Mathnaviyí-i Mubárak, by Bahá'u'lláh, in Bahá'í Studies Review, 9 (1999). [about]
- Mystic's Flight, The: The Parable of Majnún and Laylí, by Jack McLean (2001). This classic love tale of the Middle East, quoted by Baha'u'llah in the Seven Valleys, is prized by Sufi mystics as a spiritual allegory of the soul's search for union with God. A literary-critical analysis of the text yields theological clues. [about]
- Ná'ím: A Bahá'í Poet, by Roy P. Mottahedeh, in World Order (1967). Biography of and selection of poems by a Persian Baha'i in the time of Baha'u'llah and Abdu'l-Baha. [about]
- Nayriz Heroes: 22 Biographies of Bábís and Bahá'ís from Nayriz, Calligraphy of Ahmad Nayrizi, and Poetry of Vafá, by Hussein Ahdieh (2013). Bios of Muhammad Shafi, Nayrizi Vahidi, Abu Turab, Imam Jumih Shirazi, Ahmad Khoshnevis Nayrizi, Muhammad Nayrizi, Pari Jan Khanum, Shaykh Baha'i, Jalal Misaghi, Rooha Ahdieh Misaghi, Muhammad Husayn, Shafi Rouhani, Ja'fari Yazdi, Ibrahim Khoshnevis, etc. [about]
- Notes on Persian Love Poems, by Marzieh Gail, in World Order (1968). A short history of Persian poetry. Includes a selection of poems by Hafiz, Rumi, Ali-Kuli Khan, and others, many related to the Baha'i Faith or quoted by Baha'u'llah or Abdu'l-Baha, and one written for Abdu'l-Baha. [about]
- Ode of the Dove, by Bahá'u'lláh (1997). [about]
- Pattern of Dust, A: Selected Poems 1965-1990, by Timothy Wangusa: Reviews, by Peter Nazareth, in World Literature Today, 70 (1996). [about]
- Perfection and Refinement: Towards an Aesthetics of the Bab, by Moojan Momen, in Lights of Irfan, 12 (2011). The writings of the Bab have implications for the "plastic" arts; significance for native traditions; relevance to the performing arts; and the concept of refinement which comes across in both the person and the writings of the Báb. [about]
- Persian Bahá'í Poets and Poetry: A General Overview, by Heshmat Moayyad (2008). [about]
- Pioneering Over Four Epochs: The Heroic Age: The First Epoch: 1844-1853: Section VII Poetry, by Ron Price, in Pioneering Over Four Epochs: An Autobiographical Study and a Study in Autobiography (2007). [about]
- Poems, by Leslie Garrett (2016). [about]
- Poems from a Misty Island, by Jack McLean (1997). Poetry written while on a two-year stay on Salt Spring Island, British Columbia. [about]
- Poems Often Enrich My Spirit, by Betty Eskuche (2005). A collection of a dozen poems and the Baha'i quotes that inspired them. [about]
- Poetry and Transformation, by Peter E. Murphy, in Journal of Bahá'í Studies, 24:3-4 (2014). A personal story of how the evolving attraction to and love of poetry transformed the author's life. Poetry, faith, and the revealed Word can have a dramatic effect on one's struggle for personal transformation in the midst of crisis and turmoil. [about]
- Poetry as Revelation: Introduction to Bahá'u'lláh's 'Mathnavíy-i Mubárak', by Frank Lewis, in Bahá'í Studies Review, 9 (1999). [about]
- Poetry from dialogue magazine, by Gretchen Sousa and L. B. Chase, in dialogue magazine (1986). Nine poems by six authors, published in various volumes of Dialogue. [about]
- Poetry in 'Abdu'l-Bahá's Writings and Utterances, by Julio Savi and Faezeh Mardani, in Lights of Irfan, 18 (2017). Abdu’l-Bahá mentions at least seven aspects of poetry: inspiration, beauty, eloquence, versified language, novelty, expressivity, depth, and loftiness. He also sets forth clear concepts on the purposes of poetry, which benefit any aspiring poet. [about]
- Poets, Guidance to, by Universal House of Justice (1988). Guidance on the responsibilities of poets; includes an overview of Tablets addressed to poets. [about]
- Racial Identity and the Patterns of Consolation in the Poetry of Robert Hayden, by John S. Hatcher, in Journal of Bahá'í Studies, 3:2 (1990). [about]
- Reflections on the Art of My Poetry: An Interview of Roger White (1929-1993), in Journal of Bahá'í Studies, 26:1-2 (2016). A glimpse into the mind of a gifted poet and the struggles that he, like many Baha'i artists, encountered in responding to Bahá'u'lláh's exhortation that art best serves humanity when it elevates and edifies the soul and its spiritual receptivity. [about]
- Remoteness: Selected Poems, by Julio Savi (2002). A lengthy collection of poems, some originally written in Italian and translated to English by the author. [about]
- Reunion with the Beloved: Poetry and Martyrdom (2004). Poetry by or in honor of early Babi and Baha'i martyrs. Includes foreword by Hushmand Fatheazam, and discussion of the concept of martyrdom, cultural issues, and history of persecutions. [about]
- Robert Hayden, by Christopher Buck, in Oxford Encyclopedia of American Literature, Vol. 2, ed. Jay Parini (2004). The first African American poet-laureate of the United States (as Library of Congress "Consultant in Poetry"). [about]
- Robert Hayden's Epic of Community, by Benjamin Friedlander, in Melus (1998). [about]
- Robert Hayden's “American Journal”: A Multidimensional Analysis, by Christopher Buck, in Online Journal of Bahá'í Studies, 2 (2008). [about]
- Roger White: An Obituary: Writer and editor, "poet laureate" of the Bahá'í community (1929-1993), by Robert Weinberg, in Bahá'í Studies Review, 7 (1997). Brief biography, written as an obituary, of a famous Baha'i poet. [about]
- Sacred Mythology and the Bahá'í Faith, by William P. Collins, in Journal of Bahá'í Studies, 2:4 (1990). [about]
- Selected Poems by Qurratu'l-`Ayn, Nabil, and other Babis, by Tahirih Qurratu'l-Ayn and Nabil-i-A'zam, in Materials for the Study of the Babi Religion (1918). [about]
- Seven Valleys and Four Valleys: Translation Comparison, by Bahá'u'lláh (2019). New 2019 translation, side-by-side with the 1945 translation. [about]
- Seven Valleys of Baha'u'llah: A Meditation, by George Townshend, in Bahá'í World, Vol. 7 (1936-1938) (1938). [about]
- Shedding Light in the Hearts: Reflections on Poetry, by Julio Savi, in Journal of Bahá'í Studies, 11:1-2 (2001). Limitations and merits of poetry as an emotional stimulus, as truth, and as a privileged form of linguistic expression, and its purpose as a spiritual conception of the nature of reality. [about]
- Short Poem by "Darvísh" Muhammad, Bahá'u'lláh: Sáqí az ghayb-i baqá burqa' bar afkan az 'idhár, A: An Introduction and Three Versions of Provisional English Translations, by Frank Lewis, in Lights of Irfan, Book 2 (2001). [about]
- Silences of God, The: A Meditation, by Bahiyyih Nakhjavani, in Journal of Bahá'í Studies, 24:3-4 (2014). While the Word of God dominated the history of religion, contemporaries question the orthodoxy of language. God's Silence is also essential in shaping our individual choices and collective histories, and understanding Baha'u'llah's words. [about]
- Solace of the Heart: selected poems, by Peter Mputle (2015). 30 contemporary poems on spirituality, inspired by the Seven Valleys and "troubles of the affairs of mortal nature." [about]
- Songs of the Spirit: A Collection of Poems Written during the Fast 2003 and 2004, by Dawn Staudt, in Solas, 4 (2004). [about]
- Tablet of Nightingale of Separation, by Bahá'u'lláh. [about]
- Tablet of the Centennial, by Shoghi Effendi (1998). An epistle to the Persian-speaking Baha'is. Includes English translation of Muhammad Varqa's "Le Style persan du Gardien." [about]
- Tablet of the Holy Mariner, by Bahá'u'lláh. Complete tablet, both the Arabic (officially translated) and the Persian (provisionally translated) sections. [about]
- Tablet on the Daystar of Divine Beauty, by Bahá'u'lláh (2003). Poetic Tablet of Bahá’u’lláh dating from the Baghdád, Istanbul, or Edirne periods. [about]
- Tablet to Mullá Muhammad Báqir-i Tabrízí: Extracts, by Báb, The. Extract from a Tablet of the Bab to the 13th Letter of the Living, in reply to his question about Man yuzhiruhu'lláh, "He Whom God will make Manifest." [about]
- Tafsir and the Meaning of the Qur'an: The Crucifixion in Muslim Thought, by Todd Lawson (2010). Using Qur'án 4:156-7 as an example, classical tafsīr, “scholastic" exegesis, has not always taken account of the way all Muslims understand the Quranic text. Other understandings may be found in poetry, philosophy, mysticism and even historical writing. [about]
- Tahirih: A Theology in Poetry, by Anthony Lee (2016). Examination of Qurratu’l-Ayn's writings to discern her social, religious, and political beliefs, most of which broke with Islam's traditional theology in favor of a revolutionary new doctrine. [about]
- The Purpose of Poetry, by Shirin Sabri: Review, by Jack McLean, in Journal of Bahá'í Studies, 2:1 (1989). [about]
- The Quickening: Unknown Poetry of Tahirih, by John S. Hatcher and Amrollah Hemmat: Review, by Shahbaz Fatheazam, in Journal of Bahá'í Studies, 25:3 (2015). [about]
- Three poems, by Josian Dholah (2005). Baha'u'llah, I Love the Blues of You; Purest Branch!; It Is Midnight [about]
- Two poems: "A Portrait of Time" and "Surrender", by Vahid Chittleborough, in The Family: Our Hopes and Challenges (1995). [about]
- Two Poems: Threnody, Mystery of Life, by Hugh McKinley, in Solas, 3 (2003). [about]
- Two Poems: The Muse, Don Quixote, by Sheila Banani, in Solas, 3 (2003). [about]
- Verse, in Bahá'í World, Vol. 18 (1979-1983) (1986). Poems by Ruhiyyih Khanum, Giuseppe de Marco, Gilbert Robert, Martyn Burke, Audrey Marcus, Anneke Buys, Geoffrey Nash, Judith Partelow Provost, Adelbert Mühlschlegel, Larry Rowdon, Victor de Araujo, Shirin Sabri, Roger White, Bret Breneman, et al. [about]
- Whilst He Was in Suleymaniah: Extracts and poems from the memoirs of Nabil Zarandi, by Nabil-i-A'zam (2002). Handful of short extracts and poems from the memoirs of Nabíl-i-A`zam [aka Mullá Muḥammad-i-Zarandí, aka Nabíl-i-Zarandí]. on the conduct of the Bábís in 'Iráq during Bahá'u'lláh's self-imposed exile. From Nabil's unpublished narrative. [about]
- Whispers of Angels: Poems, by Jack McLean (1990). A collection of 89 poems dedicated to the author's father. [about]
- Wisdom and Wit of Roger White, The: Two Reviews, by Marzieh Gail and Hilda Phillips, in dialogue magazine, 1:4 (1987). Reviews of White's books One Bird One Cage One Flight and A Sudden Music. [about]