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"Margaret Caton"

  1. Bahá'í Influences on Mirza 'Abdu'llah, Qajar Court Musician and Master of the Radíf, by Margaret Caton, in Studies in the Bábí and Bahá'í Religions, Volume 2 (1984). The mystical milieu of musicianship and the Bahá'í Faith's approval of music (in contradistinction to the legalistic Islam of the ayatu'llahs, which forbade it) made the Faith appealing to Abdu'llah, one of the great compilers of the Persian repertoire. Published Articles. [about]
  2. Cultural Pluralism in the Bahá'í Community, by Margaret Caton, in dialogue magazine, 1:1 (1986). The idea of relative truth implies a situational approach to living. Bahá'í teachings encourage both diversity and harmonious co-existence. Published Articles. [about]
  3. History of the Sacramento Bahá'í Community, 1912-1991, A, by Margaret Caton, in Community Histories: Studies in the Bábí and Bahá'í Religions, Volume 6 (1992). History of the Bahá'í community of Sacramento, including a detailed account of Abdul-Baha's visit to California, and the later rapid expansion of the community during the 1960s and 1970s. Published Articles. [about]
  4. Sacred Refrains: Arabic and Persian Dhikrs in the Bahá'í Community, by Margaret Caton (2024). introduction to dhikr (remembrances) and the use of music in Bahá'í spiritual practices; 74 recordings from 58 sacred texts, including original Arabic and Persian languages with English translation, music transcription, and historical context. Songs & Music. [about]
 
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