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On the evolutionary character of Tobey's "City Paintings" during the decades of the 1930s-50s: they may be understood as modern reinterpretations of the traditional themes of the Apocalypse, Hell, the Day of Judgment, and New Jerusalem — the Bahá'í age.

Mark Tobey's City Paintings:
Meditations on an Age of Transition

by Julie Badiee

published in Journal of Bahá'í Studies, 1:4, pages 21-39
Ottawa, ON: Association for Bahá'í Studies North America, 1989
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