: نیایشگاه مدینه عشق

Abstract: This article examines the history, development, significance, and eventual destruction of the Bahá’í Mashriqu’l-Adhkár in ‘Ishqábád, the first Bahá’í House of Worship to be constructed. It places the ‘Ishqábád temple within the broader development of the Bahá’í concept of the Mashriqu’l-Adhkár, which combines worship with institutions devoted to education, social welfare, and community life. The article traces the emergence of the Bahá’í community in ‘Ishqábád, the acquisition of the land and initial construction efforts in the late nineteenth century, and the subsequent development of the temple under the direction of ‘Abdu’l-Bahá. Particular attention is given to the 1902 foundation-stone ceremony, which brought together hundreds of Bahá’ís and local residents as well as Russian government officials and represented an important public recognition of the Bahá’í community.

The article also describes the architectural features of the temple and the extensive educational and social institutions associated with it, including schools, a library, meeting facilities, and spaces for public discourse. These institutions contributed significantly to the self-sufficiency, education, social cohesion, and public recognition of the Bahá’í community in ‘Ishqábád. The temple also acquired international significance, inspiring Bahá’í communities in other parts of the world, particularly in North America, to undertake similar projects. Finally, the article documents the decline of the ‘Ishqábád Bahá’í community following the Soviet consolidation of power, increasing restrictions on religious activities, arrests of Bahá’ís, and the confiscation of the Mashriqu’l-Adhkár. Although the building survived for several decades after the Revolution, severe earthquake damage, subsequent deterioration, and Soviet policies ultimately led to its demolition in 1963.

The article concludes that the Mashriqu’l-Adhkár of ‘Ishqábád was more than a place of worship; it can be regarded not only as a spiritual institution, but also as a symbol of religious freedom and an emblem of the liberation of an oppressed and suffering community. This Mashriqu’l-Adhkár was not merely a silent teacher that fostered greater respect for the Bahá’í Faith; it also became a monument to perseverance which, beyond its outward splendor and magnificence, spoke of a love of freedom and an appreciation of human rights. In the solid foundations of its structure, one could discern the remnants of the sufferings endured by a battered and afflicted immigrant community, while in the grandeur of the building and the freshness of its gardens, the flourishing ideals and aspirations of its builders were clearly revealed.