Search for tag "Music"
|1912 23 Apr
||Harriet Gibbs Marshall (1868-1941) became a Bahá’í while ‘Abdu’l Bahá was visiting the US. It is possible that she heard Him speak on this day as He spoke at both Howard University and in a Black church.
She was an extremely educated woman for the time, she studied piano, pipe organ, and voice culture at the Oberlin Conservatory of Music and in 1889. Marshall was the first African American to complete the program and earn a Mus.B. degree (Bachelor of Music degree). In 1903 she founded the Washington Conservatory of Music. According to blackpast.org “Marshall’s conservatory was a landmark in the history of black education. The Centre sponsored regular concerts for the black community, trained many prominent musical professionals and attracted the nation’s most talented musicians as teachers. It remained in operation until 1960.” [blackpast.org; Bahá'í Chronicles]
'Abdu'l-Bahá attended a reception at the Khan residence where He met Admiral Robert Peary. In the words of Juliet Thompson `Abdu'l-Bahá had told the Admiral, "That `for a very long time the world had been much concerned about the North Pole, where it was and what was to found there. Now he, Admiral Peary, had discovered it and that nothing was to [be] found there; and so, in forever relieving the public mind, he had rendered a great service." [DJT272-273]
|Washington; United States
||Harriet Gibbs Marshall; Washington Conservatory of Music; Schools; Admiral Peary
|1989 (In the year)
||Three International Music Festivals were held in Africa. [BINS215]
||Festivals, Music; Music; Arts
||The first Music Festival for Youth of Zaire was held. [BINS288:8]
|2002 26 Jun – 2 Jul
||In commemoration of the Second Bahá'í World Congress 23-26 November in 1992 in New York, a Festival of the Arts was celebrated in that same city. The project was an independent initiative of Global Music, Inc., a Bahá'í-owned company, and associated individuals. It was not under the sponsorship of any Bahá'í institution. The centerpiece event was held at Carnegie Hall featuring a 550-voice choir under the direction of Mr. Tom Price and known as the "Voices of Baha". It was composed of Bahá'ís from some 24 countries. [BWNS162]
||New York; United States
||World Congresses; Arts; Music; Carnegie Hall; Tom Price; Voice of Baha; Choirs; BWNS
|2017 19 Sep
||Mahvash Sabet, one of the seven members of the former leadership group of the Bahá'ís in Iran known as the Yaran, was released after 10 years of confinement in Iran's notorious Evin and Raja'i Shahr prisons.
She had been arrested in March 2008 and was now 64 years old. Mrs. Sabet distinguished herself by the loving care and kindness she extended to her fellow prisoners. As has occurred with prisoners of conscience, writers, thought-leaders, and poets who have been wrongly imprisoned throughout history, the power of Mrs. Sabet's ideas and beliefs was only amplified by her persecution. The plight of its author attracted attention to this deeply moving collection of poetry, inspiring PEN International to feature Mrs. Sabet in a campaign to defend persecuted writers. Her poems also inspired a musical composition by award-winning composer Lasse Thoresen, performed at an international music festival in Oslo earlier this year. [BWNS1198]
See Prison Poems.
See CNN article Writing to survive: Bahá'í woman's poetry was her best friend in Iranian jail.
||Yaran; Persecution, Iran; Persecution, Court cases; Persecution, Other; Persecution; Court cases; Human rights; Evin prison; Rajai Shahr prison; Prisons; Poetry; Music; Lasse Thoresen; BWNS
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- African Culture, Traditional, Aspects of, by Universal House of Justice (1998). Challenges and opportunities in the African continent; eliminating prejudices; dance and music; alcohol; hunting; initiation rites; the supernatural; tribal leadership; status of women. [about]
- Bahá'í Songbooks, with Chords (2008). Two separate compilations, with lyrics and chords to songs by Gloria Faizi, Red and Kathy Grammer, Kathy Liebman, Cat Winterfox, Jackie Elliot, Tom Price, Steve Seskin, Allen Shamblin, Mildred McClellan, Wiley Rinaldi, Bob Simms, Lloyd Haynes, et al. [about]
- Brief Account of My Visit to Acca, A, by Mary L. Lucas (1905). Detailed notes of a visit to Haifa, January-February 1905, and Abdu'l-Baha's interpretations of several passages from the Bible. [about]
- Compilation of Bahá'í Songs: Bahá'í Song Book (2005). Lyrics to 95 popular Baha'i songs, including prayers and writings that are often sung. [about]
- Considerations in Setting Sacred Text to Music for the Mashriqu'l-Adhkar, by R. Jackson Armstrong-Ingram, in Arts Dialogue (1996). [about]
- Gillespie, Dizzy, by Barry Kernfeld, in American National Biography Online (2000). [about]
- Gorecki: The last poem ending the saga of the "Symphony of Sorrow", by Chris Jones Kavelin (2005). A poem inspired by the music of Henryk Górecki. [about]
- Groovin' High: The Life of Dizzy Gillespie, by Alyn Shipton (2001). Roughly 2-3 page excerpt from book. [about]
- Groovin' High: The Life of Dizzy Gillespie, by Alyn Shipton: Review, by Brad Pokorny, in One Country, 11:2 (1999). [about]
- Inayat Khan's meeting with 'Abdu'l-Bahá in Paris, by Inayat Khan (1913). One-paragraph recounting of Khan, the founder of "Universal Sufism," meeting with Abdu'l-Baha in 1913. [about]
- Messages from the Universal House of Justice 1963-1986: Third Epoch of the Formative Age, by Universal House of Justice (1996). [about]
- Most Great Peace (a rap), by Brett Zamir (2007). [about]
- Music, by Bahá'u'lláh and Abdu'l-Bahá, in Compilation of Compilations, Volume 2 (1991). [about]
- Music Lyrics, Singing, and Dancing at Feast, by Universal House of Justice (1994). Baha'is may incorporate music, singing, and dancing into the spiritual portions of the community devotional meetings. [about]
- Music Reviews: Five New Recordings of Bahá'í Music, by Simon Mawhinney, in Bahá'í Studies Review, 8 (1998). Reviews of Songs of the Ancient Beauty, Lift up Your Hearts and Sing, The Prince of Peace, Here at Black Mesa, and From the Sweet-Scented Streams of Eternity. [about]
- Music Reviews, by Simon Mawhin ney, in Bahá'í Studies Review, 9 (1999). Reviews of recordings by Baha'i artists Geoff and Michaela Smith; Chris Ruhe; Kamran, Khodjasteh, and Averill; Ben Koen and the Unity Ensemble; and Merz. [about]
- Music, Devotions, and Mashriqu'l-Adhkar, by R. Jackson Armstrong-Ingram, in Studies in Babi and Bahá'í History, volume 4 (1987). An in-depth examination of the development of music and hymns within American Baha'i devotional life, some history of the Chicago community, and the architecture and construction of the Wilmette temple. Includes sheet music and design plans. [about]
- Music, Devotions, and Mashriqu'l-Adhkár, by R. Jackson Armstrong-Ingram: Review, by Robert H. Stockman, in Journal of Bahá'í Studies, 1:2 (1988). [about]
- Of Paramount Importance: Addressing the Paucity of Music in Bahá'í Devotional Practice, by Michael Knopf, in Australian Bahá'í Studies, vol. 2 (2000). Short overview of the use of music in Baha'i feasts, holy day celebrations, and temples. [about]
- Perfection and Refinement: Towards an Aesthetics of the Bab, by Moojan Momen, in Lights of Irfan, 12 (2011). The writings of the Bab have implications for the "plastic" arts; significance for native traditions; relevance to the performing arts; and the concept of refinement which comes across in both the person and the writings of the Báb. [about]
- Remember Bill Sears: musical meditations, by William Sears. Four musical pieces accompanying selections from the speeches of Sears. [about]
- Temple Song, by Louise R. Waite, in Bahá'í News, 1:4 (1910). Sheet music and audio for an early American Baha'i song. [about]
- Wildfire: Reflections on Music, Drama, and Dance, by Istvan Dely (2006). [about]