Bahá'í Library Online
. . . .
.

Search for tag "Pairs of words"

from the main catalogue

  1. Camphor and Metaphor, by Dana Paxson (2023). The single word ‘camphor’ appears once in the holy Qur’án. It also appears in the Writings of Bahá’u’lláh and ‘Abdu’l-Bahá. Here we explore this term, its referents, and its sense of surprise, feeding meanings of great spiritual potency. [about]
  2. Coincidentia Oppositorum in the Qayyum al-Asma: The terms "Point" (nuqta), "Pole" (qutb), "Center" (markaz) and the Khutbat al-tatanjiya, by Todd Lawson, in Occasional Papers in Shaykhi, Babi and Bahá'í Studies (2001-01). The importance of the Khutba al-tutunjiya for a study of the Bab's writings; the presence in the Qayyum al-asma of the motif of the coincidentia oppositorum, in distinctively Shi'i form, as an expression of its "apocalyptic imagination". [about]
  3. Cosmopolitan World of the Quran and Late Antique Humanism, The, by Todd Lawson, in Religions, 12:8 (2021). On the Qur'an's use of the themes of epic and apocalypse to reveal its most cherished sacred truths: the Oneness of God, the Oneness of Religion, and the Oneness of Humanity. Contains no mention of the Bahá'í Faith. [about]
  4. Joycean Modernism in a Nineteenth-Century Qur'an Commentary?: A Comparison of The Báb's Qayyūm Al-Asmā' with Joyce's Ulysses, by Todd Lawson, in Erin and Iran: Cultural Encounters between the Irish and the Iranians, ed. H. E. Chehabi and Grace Neville (2015). Comparison of the formal structure of the two works and themes such as time; oppositions and their resolution; relation between form and content; prominence of epiphany; manifestation, advent and apocalypse; and the theme of heroism, reading and identity. [about]
  5. These Perspicuous Verses: A passage from the Writings of Baha'u'llah, by Robert W. McLaughlin (1982). Detailed study of a section from Ishraqat and Epistle to the Son of the Wolf. [about]
See all tags, sorted numerically or alphabetically.

See all locations, sorted numerically or alphabetically.

Home Site Map Links Copyright About Contact
.
. .