Search for tag "Portraits"
||After three months in Chihríq, the Báb, on the order of Háji Mírzá Áqási was taken under escort to Tabríz. He was to be tried for apostasy before a gathering of high-ranking religious leaders (Mujtahid) in the presence of the young crown prince Másiri'd-Dín Mírzá . [B137; BW18:380; TN14]
Just prior to His leaving, in June of 1848 He was seen in public discourse with His followers by a Russian student named Mochenin from St. Petersburg University. It is believed that he and Dr William Cormick were the only Westerners to have seen the Báb. [BBR75]
En route He stopped in Urúmíyyih for ten days where the governor, Malik-Qásim Mírzá, tested the Báb by offering Him an unruly horse to ride to the public bath. The horse remained docile under the Bab's control and was the same when He came out and rode him on the return. The local people were certain that they had witnessed a miracle and broke into the bath to procure His bath water. [B138; BBR74; DB309–11, EB86-87; For73]
A sketch of the Báb was made by local artist Aqa Bala Bayg from which he made a full-scale black and white portrait. Later Bahá'u'lláh directed that Aqa Bala Bayg make two copies of the portrait in water colour. The sketch and one of the water colours are now in the International Archives. [For73; EB87; B138–9, Juhúrú'l-Haqq by Asadu'lláh Fádil-i-Mázindarání p.48 quoted in World Order Winter 1974-95 p41]
See "The Báb in the World of Images" by Bijan Masumian and Adib Masumian. [Bahá'í Studies Review, Volume 19, Number 1, 1 June 2013, pp. 171-190(20)]
||Chihriq; Tabriz; Urumiyyih; Iran
||Mochenin; Bab, Life of; Bab, Trial of; Portraits; Bab, Portrait of; Aqa Bala Bayg Naqqash-bashi; Horses; Bab, Basic timeline; - Basic timeline, Expanded
|1890. 15–20 Apr
||E. G. Browne was granted four successive interviews with Bahá'u'lláh at Bahjí. [BBD43; BBR225; BKG371; GPB193]
See BBR225–32 for Browne's own account of the visit.
See BBR229–31, BKG371–3 and DH110 for Browne's pen portrait of Bahá'u'lláh.
'Abdu'l-Bahá gave Browne the manuscript of A Traveller's Narrative: the Episode of the Báb in the handwriting of Zaynu'l-Muqarrabín for him to translate. [EGB54, BW11p510]BFA1:445; Balyuzi, Edward Granville Browne and The Bahá'í Faith and Momen, Selections From the Writings of E. G. Browne.
E.G. Browne was also in the presence of Bahá’u’lláh in the Junayn Garden (occurred some time during his five day visit to Bahjí from April 15th to April 20th in 1890). [Reflections on the Bahá'í Writings.]
||Edward Granville Browne; Bahaullah, Life of; Bahaullah, Pen portraits of; Pen portraits; Portraits; Travelers Narrative (book); Zaynul-Muqarrabin (Mulla Zaynul-Abidin); Bahji; Junayn gardens
|1910 (In the year)
||The publication of The Oriental Rose, or, The teachings of 'Abdu'l-Bahá which trace the chart of "The Shining Pathway" by Mary Hanford Finney Ford. [BEL7.983]
See page 158-159 for her pen portrait of 'Abdu'l-Bahá.
||New York; United States
||Mary Hanford Ford; Abdul-Baha, Life of; Introductory; Abdul-Baha, Pen portraits; Pen portraits; Portraits; Publications
|1911 4 Sep
||`Abdu'l-Bahá arrived in London accompanied by His secretary, Mírzá Mahmúd and Khusraw, His servant. [ABL53, AB140; GBP280; SBR22, 148, BW4p378, In the Footsteps of the Master p.5]
CH149 says He arrived 8 September and 3 September as per the UK Bahá'í site.
Those Bahá'ís who assembled to meet him were listed as: Lady Blomfield (in whose home at 97 Cadogan Gardens He stayed), Mrs Thornburg-Cropper, Miss Ethel Rosenberg, Miss Gamble, Miss Herrick, Mrs Scaramucci, Miss Elsie Lee, Mr Catanach, Mr Cuthbert, Mr and Mrs Jenner, Miss Yandell, Miss Julia Culver, Mrs Stannard, Mr and Mrs Eric Hammond, The Rev Harrold Johnston, The Rev Cooper Hunt, Miss Juliet Thompson, Mrs Louise Waite, Mrs Movius, Mrs Claudia Coles, Mr Mountfort Mills, Mr Mason Remey and Miss Drake Wright. Mr and Mrs Dreyfus-Barney provided translation. In addition there were a number of Persians who took the opportunity to meet Him. [BW4p377]
As described by Lady Blomfield those who came to see him were: "Ministers and missionaries, Oriental scholars and occult students practical men of affairs and mystics, Anglican-Catholics and Nonconformists, Theosophists and Hindus, Christian Scientists and doctors of medicine, Muslims, Buddhists, and Zoroastrians. There also called: politicians, Salvation Army soldiers, and other workers for human good, women suffragists, journalists, writers, poets and healers dress-makers and great ladies, artists and artisans, poor workless people and prosperous merchants, members of the dramatic and musical world, these all came; and none were too lowly nor too great to receive the sympathetic consideration of this holy Messenger, who was ever giving His life for others' good." In addition there was a representation from the Bramo-Somaj Society, a Hindu reform group. [CH150-152]
See BW4p377 where Lady Blomfield reported that Prince Jalalu'd-Dawlih entreated to be received by 'Abdu'l-Bahá and when in His presence fell prostrate and implored pardon for his crimes. (see 1891 19 May) [BW4p377]
Among the list of visitors were: Professor Edward Granville Browne, Mr Tudor-Pole, Emmeline Pankhurst, a British political activist and leader of the British suffragette movement who helped women win the right to vote. [BW4p377]
See BW4p381 for the story of a homeless, suicidal man who had seen a picture of 'Abdu'l-Bahá in a newspaper in a shop window.
See BW4p382-383 for the story of the persistent journalist who imposed upon the appointment of two ladies from Scotland who had journeyed all that day and intended to make the return voyage that same evening.
For details of His stay in England see AB140–58 and GPB283–5.
It is implied that 'Abdu'l-Bahá was attended by Dr Lutfu-lláh Hakím while in London. [BW4p380]
During His stay in London 'Abdu'l-Bahá received death threats by anonymous letter and he was advised to give up He planned journey to Egypt. He ignored them. [BW4p 387]
During His stay in London He had professional photographs of Himself taken by the Irish photographer, James Lafayette (1853-1923). "...to have a picture of oneself is to emphasise the personality, which is merely the lamp, and is quite unimportant. The light burning within the lamp has the only real significance." [SBR25, BW4p383-384, ABF84]
||London; United Kingdom
||Abdul-Baha, Travels of; Abdul-Baha, First Western tour; Abdul-Baha, Pictures and portraits; Portraits; Abdul-Baha, Death threats to; Mary Virginia Thornburgh-Cropper; Ethel Rosenberg; Juliet Thompson; Louise Waite; Mountfort Mills; Charles Mason Remey; Hippolyte Dreyfus-Barney; Jalalud-Din-Dawlih; Mirza Mahmud-i-Zarqani; Khusraw; Edward Granville Browne; Wellesley Tudor Pole; Emmeline Pankhurst; Lutfullah Hakim; James Lafayette
|1911 23–25 Sep
||Abdu’l-Bahá travelled by train from London to Bristol going from Paddington Station to Bristol Temple Meads. He stayed at the Clifton Guest House at 17 Royal Crescent which was owned by Major Wellesley Tudor Pole. He departed for London by train on the morning of the 25th of September.
[AB156, ABL81-84, In the Footsteps of 'Abdu'l-Bahá p15-16]
See also Star of the West Vol II No. 12.
During His stay in Bristol He had a photograph taken. [ABF84]
||Bristol; United Kingdom
||Abdul-Baha, Travels of; Abdul-Baha, First Western tour; Wellesley Tudor Pole; Trains; Abdul-Baha, Pictures and portraits
|1912 10 May
||At the instigation of Agnes Parsons, `Abdu'l-Bahá's sat for sketches by prominent English sculptor Theodore Spicer-Simson who made a portrait medallion of the Master. See Medallions for pictures of his work. A second medallion was later designed by another well-known artist, Louis Potter. [Luminous Journey 33:21]
In the morning Agnes Parsons took 'Abdu'l-Bahá to the Capitol then to the Washington Monument where they took the elevator to the top.
He spoke to a small group in the Parsons' home in the afternoon and at the Studio Hall in the evening. [APD63-66]
In The Diary of Juliet Thompson p285 it is reported that 'Abdu'l-Bahá had been horrified by the prejudice He observed against Black people in Washington.
||Washington DC; United States
||Abdul-Baha, Travels of; Abdul-Baha, Second Western tour; Abdul-Baha, Talks at homes; Abdul-Baha, Talks at other places; Capitol; Washington Monument; Studio Hall; Agnes Parsons; Abdul-Baha, Pictures and portraits; Portraits; Racism
|1912 1 Jun
||`Abdu'l-Bahá returned to New York. [AB206]
He had His first sitting for the portrait painted by Juliet Thompson. [DJT299]
He sat for her a total of six times but she could paint in only three of the sessions. The last session was on June 19, 1912.
||New York; United States
||Abdul-Baha, Travels of; Abdul-Baha, Second Western tour; Juliet Thompson; Abdul-Baha, Pictures and portraits; Portraits
|1913 7 Apr
||`Abdu'l-Bahá traveled to Bad Mergentheim by automobile to visit the hotel and mineral bath owned by Consul Schwarz, (Later named Disciple of `Abdu'l-Bahá by Shoghi Effendi). [AB383]
Later, in 1916 the local Bahá'í community commemorated the visit with the dedication of a monument, a life-sized likeness of the head of 'Abdu'l-Bahá on a granite stone about two metres in height. The Nazis removed it in 1937 but it was replaced in 2007. [BWNS524]
||Bad Mergentheim; Germany
||Abdul-Baha, Travels of; Abdul-Baha, Second Western tour; Cars; Consul Schwarz; Disciples of Abdul-Baha; Monuments; Abdul-Baha, Pictures and portraits; Portraits; World War II; BWNS
|1913 13 Apr
||`Abdu'l-Bahá was sick and the weather was bitterly cold. He went to the studio of Professor Robert A. Nadler of the Royal Academy of Art to sit for a portrait. He gave him a total of three sittings during His visit to Budapest. [AB387, MRHK368-9]
"The portrait is remarkable not only because of its art, but also because of its later miraculous fate. Reportedly, after heavy bombing in 1945, only that part of the building in which the painting was hung remained unharmed." [Renée Szanto-Felbermann Two Portraits p3, Rebirth: Memoirs of Renée Szanto-Felbermann p159]
The painting was purchased and taken to the Bahá'í World Centre in 1972. [SBBR14p118]
See SBBR14p108 for a picture of the portrait.
In the afternoon He visited the home of Sirdar Omrah Singh. [AB387]
In spite of a raging blizzard a good many attended His address at the hotel in the evening. [AB387]
||Abdul-Baha, Travels of; Abdul-Baha, Second Western tour; Robert A. Nadler; Abdul-Baha, Pictures and portraits; Portraits; World War II; War (general)
|1913 18 or 19 Apr
||`Abdu'l-Bahá left Budapest and traveled to Vienna by rail, reaching the city in the evening and taking residence in the Grand Hotel. It is estimated that some 30 people accepted the Faith during His visit. [AB388, SBBR14p120]
In 'Abdu'l-Bahá in Egypt p80 it is reported that a bust of 'Abdu'l-Bahá was made during His time in Vienna. Two copies were received in Port Said via Stuttgart on the 18th of July, 1913, one intended for Ahmad Sohrab and the other for Mírzá Mahmúd-i-Zarqání.
||Vienna; Austria; Budapest; Hungary; Port Said; Egypt
||Abdul-Baha, Travels of; Abdul-Baha, Second Western tour; Trains; Abdul-Baha, Pictures and portraits; Ahmad Sohrab; Mirza Mahmud-i-Zarqani
|2007 7 Apr
||A memorial removed by the Nazis when the Bahá'í Faith was outlawed in 1937 was restored by municipal authorities in the resort town of Bad Mergentheim in Germany. The stone commemorates the visit of 'Abdu'l-Bahá on April 7-8, 1913. The new memorial was unveiled on 7 April, by Mayor Lothar Barth accompanied by Bahman Solouki, a representative of the Bahá'í community of Germany. Please see the news story for pictures of both the original and the replacement monuments. [BWNS524]
||Bad Mergentheim; Germany
||Abdul-Baha, Pictures and portraits; Portraits; Monuments; Opposition; BWNS
|2017 6 Nov - 22 Jan
||An exhibition of Bahá'u'lláh’s writings opened at the John Addis Gallery in the British Museum.
One of the central themes was the power of the Word, which refers to divine revelation, a concept fundamental to the origins of all the world’s great faiths. The exhibition showed original handwriting of Bahá'u'lláh, as well as other archival items associated with His life such as His reed pens and examples of "revelation writing" by His scribe as he tried keep up with Bahá'u'lláh's dictation.
The exhibition, timed to commemorate the period of celebration of the 200th anniversary of His birth, was open to the public until the 22nd of January. [BWNS1220]
See the British Museum blog entitled Displaying the Bahá'í Faith: the pen is mightier than the sword.
||London; United Kingdom
||British Museum and British Library; Exhibitions of Bahai manuscripts and relics; Relics; Bahaullah, Writings of; Exhibitions; Reed pens; Reed (general); Calligraphy; Revelation writing; Mirza Aqa Jan; Tajalliyat (Effulgences); Kalimat-i-Maknunih (Hidden Words); Bahaullah, Pen portraits of; Portraits; Edward Granville Browne; Gifts
from the main catalogue
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- Bab in the World of Images, The, by Bijan Ma'sumian and Adib Ma'sumian, in Bahá'í Studies Review, 19 (2013). History of the portraits drawn of the Bab, especially that of Aqa Bala Bayg of Shishvan, the only artist who actually met the Bab. [about]
- Consultation, Portraits, Rakahs, Murtus, and Unknown Language, by Universal House of Justice (2009). Three replies from the Research Department to an individual, dated 2009, 2010 and 2018, on a variety of topics. [about]
- Dawn over Mount Hira and Other Essays, by Marzieh Gail (1976). A collection of essays on various topics of interest to Baha'i studies and history. Most of these were first published in Star of the West and World Order between 1929 and 1971. [about]
- Kahlil Gibran: Man and Poet, by Suheil Badi Bushrui and Joe Jenkins (1998). Includes portrait of 'Abdu'l-Bahá sketched by Kahlil Gibran. [about]
- Manifestations of God and the Master: Representation of in Portraits, Photographs, and Dramatic Presentations, by Shoghi Effendi and Universal House of Justice. Excerpts on the use of imagery of the Central Figures in art, stage, and print. [about]
- Perfection and Refinement: Towards an Aesthetics of the Bab, by Moojan Momen, in Lights of Irfan, 12 (2011). The writings of the Bab have implications for the "plastic" arts; significance for native traditions; relevance to the performing arts; and the concept of refinement which comes across in both the person and the writings of the Báb. [about]
- Picture Gallery of Early British Bahá'ís (1998). Published in honor of the UK Baha'i Centenary, 1998/99. [about]
- Scholar Meets Prophet: Edward Granville Browne and Bahá'u'lláh (Acre, 1890), by Christopher Buck and Youli Ioannesyan, in Bahá'í Studies Review, 20 (2014). Details of E.G. Browne's handwritten notes about his meeting with Baha'u'llah, his stay in Akka in April 1890, and his correspondence with Russian academics. [about]
- Word Portraits of Abdu'l-Baha (2012). Short descriptions of Abdu'l-Baha by Horace Holley, Louis Gregory, Howard Colby Ives, Wellesley Tudor Pole, E. G. Browne, Ali Yazdi, Florence Khan, Stanwood Cobb, and Albert Vail. [about]