- Bahá'u'lláh's Influence on the New York School of Painting: The "Unapprehended Inspiration" of Newman and Rothko, by Ross Woodman. (1991). The paintings of New Yorkers Barnett Newman and Mark Rothko may best be understood as a powerful first evidence of what Bahá’u’lláh called “the rising Orb of Divine Revelation, from behind the veil of concealment.”
- End of the World: Whatever Happened?, The: Or Leftover Time to Kill, by Ross Woodman. (1991). If we contrast the eschatology of Bahá’u’lláh with that of Hegel and Nietzsche, we can locate and explore the spiritual origins of the planetary consciousness (the Divine Springtime) upon which the survival of humankind and the globe itself now depends.
- "In the Beginning Was the Word": Apocalypse and the Education of the Soul, by Ross Woodman. (1993). Hidden meanings in scripture and the soul are metaphorically identified with the huris, or brides. The bridegroom, Bahá'ulláh, enters union as the marriage of the Manifestation with the Maid of Heaven, who releases the Logos and the newly created soul.
- "'In the Beginning Was the Word': Apocalypse and the Education of the Soul," by Ross Woodman: Commentary, by Betty Hoff Conow (published as B. Hoff Conow). (1995).
- Metaphor and the Language of Revelation, by Ross Woodman. (1997). To enter the realm of metaphor as the language of the soul is to come into direct contact with the Word as the originating power of creation.
- Role of the Feminine in the Bahá'í Faith, The, by Ross Woodman. (1995). On the terms 'Masculine' and 'Feminine' as referring to 2 interdependent energies at work within the Manifestation of God and throughout creation, including the human individual; the important role of the 'Feminine' principle in the Bahá’í Faith.
- Turning a Somersault to Land at the Feet of the Báb: The Spiritual Journey of Ross Woodman, by Chris Lowry. (2024-12). Examining Ross G. Woodman’s 1942 dream of the Báb, its influence on his spiritual journey, and the interplay between faith, aesthetics, and academia.
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