- Bahiyyih Nakhjavani. Artist, Seeker and Seer: A vocabulary and a perspective for the appreciation and creation of art inspired by the Bahá'í Writings (1982). Imagery and metaphors from the Bahá'í Writings guide the appreciation and creation of art. They demonstrate that criticism vs creativity, logic vs. passion, and historicity vs. poetry have already been brought to a state of unity. Articles.
- Bahiyyih Nakhjavani. Exemption (1993). Thoughts on Bahá'u'lláh's meaning in "exempting" women from certain Bahá'í obligations, especially pilgrimage. Essays.
- Bahiyyih Nakhjavani. Fact and Fiction: Interrelationships between History and Imagination (2000). On the tension between "fact" and "fiction," between objective history and our relative and subjective stories, between art as the representation of reality and faith based on the Word of God. We inherited a responsibility to resolve this tension. Articles.
- Bahiyyih Nakhjavani. Greatest Holy Leaf, The (n.d.). Audio.
- Bahiyyih Nakhjavani. Silences of God, The: A Meditation (2014). While the Word of God dominated the history of religion, contemporaries question the orthodoxy of language. God's Silence is also essential in shaping our individual choices and collective histories, and understanding Bahá'u'lláh's words. Articles.
- Bahiyyih Nakhjavani. Some Themes and Images in the Writings of Bahá'u'lláh (1976-04-21). Exploring the relationship between the Creative Word, particularly its expression in language, and the journey of the human soul to its Creator. Articles.
- Bahiyyih Nakhjavani. Spiritual Inheritors, The (1987). Reflections on growing up Bahá'í, and a report on a conference about capturing the power of the Six Year Plan to focus attention on the role of women in establishing global peace, the destiny of the women of North America, and equality of sexes. Essays.
|
Site Map
