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Search for tag "Dhikr (Remembrance)"

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  1. Báb and 'Alí Muhammad, Islamic and Post-Islamic, The: Multiple Meanings in the Writings of Sayyid 'Alí Muhammad Shírází (1819-1850), by Zackery Mirza Heern, in Religions, 14:3 (2023). Writings of the Báb can be understood as a commentary on the Qur'án, the original Qur'án, and divine revelation; the metaphors and symbolism of Gate (Báb), Remembrance (Dhikr), and Point (Nuqtah). Link to article (offsite). [about]
  2. Bahá'u'lláh's 'Long Healing Prayer' ("Lawḥ-i-Anta'l-Káfí") in Light of a Metaphysics of Unity, by Daniel Azim Pschaida, in Journal of Bahá'í Studies, 31:3 (2022-03). On the originality and deep coherence of this prayer as expressed by its rhyme, alliterations, and structures organized around the number 19; the prayer is an invitation to meditate on God’s names, and see reality in a metaphysics of wholeness and unity. [about]
  3. Dhikr: in the Bábí and Bahá'í Religions, by Moojan Momen, in Encyclopaedia Iranica, Volume 7 (1996). Very brief article, short enough to qualify as "fair use." [about]
  4. Elucidation of the Meaning of The Greatest Name, by Mirza Abu'l-Fadl Gulpaygani (1945?). Explanation of "The Greatest Name," with words of Abdu'l-Bahá, as copied by May Maxwell. Source and date not known. [about]
  5. Elucidation of the Meaning of the Greatest Name by 'Abdu'l-Bahá and Mirza Abu'l Fadl (n.d.). 2-page summary of the meanings and prayerful use of the word Bahá (glory, splendour, light). [about]
  6. Encouragement of the Arts During the Ministry of 'Abdu'l-Bahá: The Services of Master Calligrapher Mishkín-Qalam, by Nooshfar Afnan, in Journal of Bahá'í Studies, 33:1-2 (2023-10). ‘Abdu’l-Bahá promoted the arts, including through support of Mishkín-Qalam and artistic conceptions for the interment of the remains of the Báb, the construction of the first Bahá’í House of Worship, and transcription of Bahá’í literature. [about]
  7. Encyclopaedia Iranica: Selected articles related to Persian culture, religion, philosophy and history, by Encyclopaedia Iranica, in Encyclopaedia Iranica (1982-2023). Sorted, categorized collection of links to over 170 articles. [about]
  8. Invocation 'Is There Any Remover of Difficulties Save God...', The, by Muhammad Afnan (2023). Short overview of the historical background of the Báb's invocation. [about]
  9. Laws of the Kitab-i-Aqdas, Further Application of, by Universal House of Justice (1999-12-28). Announcement to the Bahá'í world that all elements of the laws dealing with obligatory prayer and fasting are now applicable. [about]
  10. Obligatory Prayer, Ablutions, and Repetition of the Greatest Name, by Universal House of Justice (2004-06-06). On recitation of the specific verses associated with the performance of ablutions for the medium Obligatory Prayer. Includes compilation of references regarding repetition of the Greatest Name 95 times per a Day. [about]
  11. Obligatory Prayer, Questions about, by Universal House of Justice (2000-11-28). Answers to four questions about reciting prayers at meetings; changing language gender; repetition of Greatest Name; and raising hands. [about]
  12. Prayer and Worship, by John Walbridge, in Sacred Acts, Sacred Space, Sacred Time (1996). An overview of devotional practices and prayers in Babism and the Bahá'í Faith. [about]
  13. Remembrance of God, The: An Invocation Technique in Sufism and the Writings of The Báb and Bahá'u'lláh, by Steven Scholl, in Bahá'í Studies Bulletin, 2:3 (1983-12). Dhikru'lláh, the invocation or "remembrance" of God, is a Sufi technique of chanting or repeating prayers, divine names, or mantras to achieve heightened spiritual consciousness or a sense of mystical union. Includes commentary by Moojan Momen et al. [about]
  14. Sacred Refrains: Arabic and Persian Dhikrs in the Bahá'í Community, by Margaret Caton (2024). introduction to dhikr (remembrances) and the use of music in Bahá'í spiritual practices; 74 recordings from 58 sacred texts, including original Arabic and Persian languages with English translation, music transcription, and historical context. [about]
  15. Searching for God in time and memory: An examination of Bahá'í prayer as 'remembrance', by Christopher White, in Reason and Revelation: Studies in the Babi and Bahá'í Religions, 13 (2002). Describes Bahá'í prayer practices as a way to understand the human self and the Divine and overcoming the gap between the two. [about]
  16. Tablet of the Sacred Night (Lawh Laylat al-Quds), by Bahá'u'lláh (1996). [about]
  17. Terms Remembrance (dhikr) and Gate (bab) in the Bab's Commentary on the Sura of Joseph, The, by Todd Lawson, in Studies in Honor of the Late Husayn M. Balyuzi, Studies in the Bábí and Bahá'í Religions, vol. 5, ed. Moojan Momen (1989). Who is the "voice" of the Qayyum al-Asma: the person Ali-Muhammad Shirazi, the hidden Imam through The Báb, the Báb as the Imam himself, or God? The Bab seems to be the Imam speaking the voice of God. He is Dhikru'lláh, "Remembrance of God." [about]
  18. Yá Alláhu'l-Mustagháth": Original Source, Correct Transliteration and Translation, by Universal House of Justice (2001-12-28). About an invocation revealed by the Báb, prescribed for recitation in times of trouble and difficulty. [about]
 
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