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TAGS: * Bahá'u'lláh, Writings of; - Metaphors and allegories; - Persian language; - Poetry; - Symbolism; Baghdad, Iraq; Dance; Day of Resurrection (or Day of Judgment); Dervish poems (Bahá'u'lláh); Flowers (metaphor); Fountains (metaphor); Fragrance; Haft Vadi (Seven Valleys); Houris (huris); Iraq; Love; Lover and the Beloved; Mount Sinai, Egypt; Musk (metaphor); Mysticism; Nightingales (metaphor); Roses and thorns (metaphor); Sufism; Sulaymaniyyih, Iraq; Water (metaphor); Words and phrases ... fewer tags
Abstract:
Translation of the early mystical Tablet "Nightingales Are Inebriated" and an analysis of its themes of ecstasy, Mount Sinai, eschatology, dhikr, sama, and fana`.
Notes:
Presented at the Irfan Colloquia Session #111, Acuto, Italy (2012). Mirrored with permission from irfancolloquia.org/111/savi_call.

The Inebriation of His Enrapturing Call (mast-and bulbulán)

Julio Savi

published in Lights of Irfán, 15, pages 311-354

Wilmette: Haj Mehdi Armand Colloquium, 2014

Abstract: During the two years when Bahá'u'lláh lived in isolation in Kurdistan, He composed a number of poems, in which He gave vent to the mighty emotions aroused in His great heart by the mystical experiences He had while confined in the Síyáh-Chál. One of those poems, Mastand Bulbulán zin Naghmiy-i yá Húy-i-ú, "Nightingales are inebriated by the melody of His enrapturing Call," is the subject of this paper, which is an attempt to explain the metaphors and images that embellish this jewel, in the light of both later Writings by Bahá'u'lláh and the Persian literary tradition, in whose style the poem has been written.
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